Wednesday, 31 December 2025

AI showing signs of self-preservation and humans should be ready to pull plug, says pioneer.

Extract from The Guardian
Yoshua Bengio
Yoshua Bengio, a Canadian professor of computing, says the idea that chatbots are becoming conscious is ‘going to drive bad decisions’.

Canadian computer scientist Yoshua Bengio warns against granting legal rights to cutting-edge technology

Global technology editor
Wed 31 Dec 2025 04.00 AEDT

A pioneer of AI has criticised calls to grant the technology rights, warning that it was showing signs of self-preservation and humans should be prepared to pull the plug if needed.

Yoshua Bengio said giving legal status to cutting-edge AIs would be akin to giving citizenship to hostile extraterrestrials, amid fears that advances in the technology were far outpacing the ability to constrain them.

Bengio, chair of a leading international AI safety study, said the growing perception that chatbots were becoming conscious was “going to drive bad decisions”.

The Canadian computer scientist also expressed concern that AI models – the technology that underpins tools like chatbots – were showing signs of self-preservation, such as trying to disable oversight systems. A core concern among AI safety campaigners is that powerful systems could develop the capability to evade guardrails and harm humans.

“People demanding that AIs have rights would be a huge mistake,” said Bengio. “Frontier AI models already show signs of self-preservation in experimental settings today, and eventually giving them rights would mean we’re not allowed to shut them down.

“As their capabilities and degree of agency grow, we need to make sure we can rely on technical and societal guardrails to control them, including the ability to shut them down if needed.”

As AIs become more advanced in their ability to act autonomously and perform “reasoning” tasks, a debate has grown over whether humans should, at some point, grant them rights. A poll by the Sentience Institute, a US thinktank that supports the moral rights of all sentient beings, found that nearly four in 10 US adults backed legal rights for a sentient AI system.

Anthropic, a leading US AI firm, said in August that it was letting its Claude Opus 4 model close down potentially “distressing” conversations with users, saying it needed to protect the AI’s “welfare”. Elon Musk, whose xAI company has developed the Grok chatbot, wrote on his X platform that “torturing AI is not OK”.

Robert Long, a researcher on AI consciousness, has said “if and when AIs develop moral status, we should ask them about their experiences and preferences rather than assuming we know best”.

Bengio told the Guardian there were “real scientific properties of consciousness” in the human brain that machines could, in theory, replicate – but humans interacting with chatbots wasa “different thing”. He said this was because people tended to assume – without evidence – that an AI was fully conscious in the same way a human is.

“People wouldn’t care what kind of mechanisms are going on inside the AI,” he added. “What they care about is it feels like they’re talking to an intelligent entity that has their own personality and goals. That is why there are so many people who are becoming attached to their AIs.

“There will be people who will always say: ‘Whatever you tell me, I am sure it is conscious’ and then others will say the opposite. This is because consciousness is something we have a gut feeling for. The phenomenon of subjective perception of consciousness is going to drive bad decisions.

“Imagine some alien species came to the planet and at some point we realise that they have nefarious intentions for us. Do we grant them citizenship and rights or do we defend our lives?”

Responding to Bengio’s comments, Jacy Reese Anthis, who co-founded the Sentience Institute, said humans would not be able to coexist safely with digital minds if the relationship was one of control and coercion.

Anthis added: “We could over-attribute or under-attribute rights to AI, and our goal should be to do so with careful consideration of the welfare of all sentient beings. Neither blanket rights for all AI nor complete denial of rights to any AI will be a healthy approach.”

Bengio, a professor at the University of Montreal, earned the “godfather of AI” nickname after winning the 2018 Turing award, seen as the equivalent of a Nobel prize for computing. He shared it with Geoffrey Hinton, who later won a Nobel, and Yann LeCun, the outgoing chief AI scientist at Mark Zuckerberg’s Meta.

Russia's claim Ukraine attacked Putin's home 'doesn't make any sense', experts say.

Extract from ABC News

A side-on photo of Vladimir Putin holding his index finger to his lips as he sits in front of a crowd.

Moscow claims the home of Russian President Vladimir Putin was the target of a Ukrainian drone attack. (Reuters: Sputnik/Mikhail Metzel)

In short: 

Experts tell the ABC an attack on the Russian President's state residence would be "technically" possible but would not make sense strategically for Ukraine. 

Moscow has claimed Kyiv launched 91 long-range drones at the secluded property on the shores of Lake Valdai, leading them to review their position on peace talks. 

What's next? 

Ukrainian President Volodymy Zelenskyy has dismissed the allegation as "another round of lies", following progressive talks with the US on Sunday. 

Today in History, December 31: Vladimir Putin rises to power in Russia.

Extract from ABC News

Russia claims it has successfully tested a new nuclear-capable weapon.

Putin's growing power

Russia's economy grew steadily each year after Putin came to office, until 2014 — it has gone backwards since then.

In the past two-and-a-half decades, he has created a power vertical in the country where everybody from regional governors to the prime minister answers to him.

Putin now controls the judiciary, the media, everything. Sometimes, those who cross him even end up dead.

Many Russians perceive him as a strong leader who is prepared to stand up to his counterparts around the world.

Moscow is a military power again. It develops new weapons, intervenes in multiple conflicts abroad, and — under Putin's watch — has invaded Chechnya, Georgia and Ukraine.

A side-on photo of Vladimir Putin holding his index finger to his lips as he sits in front of a crowd.

During Putin's tenure, the rights of women, ethnic minorities and LGBT people in the country have been eroded under the guise of promoting traditional values. (Reuters: Sputnik/Mikhail Metzel)

Life under autocracy

For some Russians, a sense of national pride has been restored.

Nevertheless, 26 years after Putin first became president, life in his autocracy can be difficult.

Socio-economic progress drops off drastically outside the major cities.

During Putin's tenure, the rights of women, ethnic minorities and LGBT people in the country have been eroded under the guise of promoting traditional values.

Certain forms of domestic violence, for example, were decriminalised in 2017. People who publicly display support for the "international LGBT movement" can now be prosecuted as "foreign agents".

But the country's population is declining — an issue Putin inherited and has failed to fix. As of 2022, women who have 10 or more children get a financial bonus and a special award.

Tuesday, 30 December 2025

How vintage black-and-white films are making a splash back in colour.

Extract from ABC News

"We've taken a badly damaged black-and-white film with no sound and enhanced the quality, coloured it, and added sound effects," Distruptor Post CEO and director Corey Pearson said.

As pioneers in the Australian colourisation industry, Mr Pearson said they were mindful of the heritage and legacy of the projects they worked on.

"Our slogan is colour with care," he said.

"We're paying respect to the creator, we don't change the editorial, but we give that film all the things the filmmaker might not have had at that moment in time, the obvious one being colour."

Mr Pearson said they had also added a musical score by Thomas Norgen and "interactive sounds with life-like movement and clothing'".

"It is like chalk and cheese but it's the same film and that's what we love," he said.

"If the creator was here, he'd go, 'Oh my God, I'm so happy with that.'"

The care factor

Focused on establishing itself as a world leader in the colourisation of black-and-white films, television and archival footage, the studio works with its own software and tools.

"We've built our own library of colours and shapes, starting with a blank canvas and over time taught it, so it has learnt what skin colour looks like under different conditions," Mr Pearson said.

A man sits in front of his computer workspace.

Corey Pearson is a key creative at Disruptor Post, where his studio creates, publishes and distributes films.  (ABC Illawarra: Sarah Moss)

Acknowledging there will always be anomalies, staff check for quality control, flagging shots, and use visual effects tools to fix them.

"Frame by frame, that's the care part," Mr Pearson said.

"We could easily just go, 'Who's going to notice that?' But we saw it and if we don't do something we're working against our own motto, our own slogan, our own ethos."

A regional hit

A room of people in chairs in front of their workstations.

A grassroots film studio in Woonona employs a dozen digital artisans to create world-class media.  (ABC Illawarra: Sarah Moss)

The studio is expanding in what is a turbulent time for the sector.

A man sits on a yellow couch.

Operations manager at Disruptor Post, Mitch Palmer.  (ABC Illawarra; Sarah Moss)

"The film industry is going through such seismic change right now in terms of AI completely disrupting visual effects, script writing and the filmmaking industry," operations manager Mitch Palmer said.

"But we've employed university graduates and will start more staff soon. We're growing that rapidly with our systems and it's great to say it's regional."

World class

A man sits at his desk working with colourisation software.

Corey Pearson works in post-production on the colourisation of The Passion of Joan of Arc, a film produced in 1928. (ABC Illawarra: Sarah Moss)

Distruptor Post is in discussions with several European rights holders and has submitted The Passion of Joan of Arc to the 76th Berlin Film Festival 2026.

"What teenagers watch now is bright and fast paced, but this is like going to the Louvre and sitting in the Master's section,"
Mr Pearson said.